Mike Walker from front-of-house
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Simon Barber demonstrates the http://justlikejazz.org website to audience members Izzy and Ryan.
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All festivals need an all-star band, and I think I’ll make this one the Scarborough Festival All Stars. This Sunday afternoon set was an exploration of Charles Minus’ exuberant music by a band that did it full justice. Led (appropriately) by bass player Arnie Somogyi, with rhythm support from Clark Tracey on drums and Tim Lapthorne on piano, and a terrific frontline of Tony Kofi’s alto and wonderful baritone, Alan Barnes exuberant on alto and tenor and Jeremy Price playing fluent and often melancholy trombone.
Many bands would be setting themselves up for a fall by choosing to play pieces by a giant of jazz like Mingus to an audience full of knowledgeable listeners. But rather than falling this was a set of soaring, beautifully realised interpretations which made a respectful nod to Mingus-era performances, while giving each musician enough space to create the individual solos which are essential to the all-star line-up. Somogyi avoided pastiching Mingus, and played as himself, but when the band picked up a number in which Mingus fingers were required he didn’t disappoint. Equally the ensemble playing gave anyone who had heard Mingus’ records would get a warm glow of recognition. I was particularly taken with Price’s solos which were perfectly placed within the Mingus tribute. Kofi and Barnes were their boisterous selves. All members were taken with the gospel spirit which pervades Mingus’ compositions, and the audience clearly responded with enthusiasm.
I have to say I especially liked the more abstract interpretations offered, up and there were times when I felt they chose to be a little more conservative than was necessary. Perhaps another characteristic of the all-star band. Having said that this was genuine collective music-making, no one was there just to support the soloists and those up on stage clearly enjoyed themselves as much as we did in the hall.
Tim Wall
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'Just Like Jazz' is a collaborative project between Interactive Cultures, a research unit at Birmingham City University, and the Scarborough Jazz Festival. We're media academics who happen to be jazz fans and we're working with the Scarborough Jazz Festival to explore the ways in which jazz festivals can be portrayed online.
Rather than creating a brochure website around the festival, or simply filming the festival and putting that online, our goal is to capture the spirit of the festival using a range of techniques such as photography, text and handheld, personal digital video. We have given small, cheap, portable video cameras to select audience members, musicians, backstage staff and the festival organisers and asked them to capture whatever they think is interesting: the buzz of the audience, the surrounding environment, snippets of the music performed, and any discussions that take place around jazz.

Left to right: Prof Tim Wall, Andrew Dubber, Dr Simon Barber, Jez Collins.
We're gathering together all of this video, photography and text from our contributors and publishing it live on this website as the festival happens. We're also tagging the content in order to experiment with the ways in which the characters and stories that are captured can be navigated by you, the visitor. This process gives audiences the opportunity to experience the festival in their own way and makes the event accessible to those who may wish to attend the festival in future years, or who may never have considered visiting a jazz festival at all.
Although we've worked on projects like this before, with Aftershock in Italy and with the Copenhagen Jazz Festival, we don't have a fixed idea of what we're going to end up with. We're working with a loose structure and quite a lot of improvisation - in a way, it's just like jazz.
Do come and say hello if you see us around. We hope you enjoy exploring the festival online with us,
Tim, Andrew, Simon and Jez.
http://interactivecultures.org
You can also connect with us, watch videos, get information and follow the progress of the project on the following social networks and websites:
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