Andy Panayi's Big Band: 'Greek Gods Suite'

This was a enjoyably rumbustious set, in which some terrific music was introduced by Alan Barnes in his unique sardonic style.  There’s a real warm relationship between Alan and the Scarborough audience, and his jokes and gently biting asides produce much mirth. 

The basic set-up was that Alan introduced a number written by Andy Panayi to represent individual Greek gods.  So we got a witty pen portrait of the god, a comically rude comment about the band members who had the role of personifying the god in music (if gods can be personified) and some sterling arrangements of real flair performance by a great band of soloists.

For me this is perfect festival music: great entertainment value, a band of well-respected musicians, and high quality accessible music.  It would be hard for anyone not to be converted to jazz, and equally difficult for a jazz fan not to be bold over by the full exuberance of it all.

Tim Wall

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Explore the festival
About 'Just Like Jazz'

'Just Like Jazz' is a collaborative project between Interactive Cultures, a research unit at Birmingham City University, and the Scarborough Jazz Festival. We're media academics who happen to be jazz fans and we're working with the Scarborough Jazz Festival to explore the ways in which jazz festivals can be portrayed online.

Rather than creating a brochure website around the festival, or simply filming the festival and putting that online, our goal is to capture the spirit of the festival using a range of techniques such as photography, text and handheld, personal digital video. We have given small, cheap, portable video cameras to select audience members, musicians, backstage staff and the festival organisers and asked them to capture whatever they think is interesting: the buzz of the audience, the surrounding environment, snippets of the music performed, and any discussions that take place around jazz.

The Just Like Jazz team
Left to right: Prof Tim Wall, Andrew Dubber, Dr Simon Barber, Jez Collins.

We're gathering together all of this video, photography and text from our contributors and publishing it live on this website as the festival happens. We're also tagging the content in order to experiment with the ways in which the characters and stories that are captured can be navigated by you, the visitor. This process gives audiences the opportunity to experience the festival in their own way and makes the event accessible to those who may wish to attend the festival in future years, or who may never have considered visiting a jazz festival at all.

Although we've worked on projects like this before, with Aftershock in Italy and with the Copenhagen Jazz Festival, we don't have a fixed idea of what we're going to end up with. We're working with a loose structure and quite a lot of improvisation - in a way, it's just like jazz.

Do come and say hello if you see us around. We hope you enjoy exploring the festival online with us,

Tim, Andrew, Simon and Jez.
http://interactivecultures.org

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