Ken Peplowski and Alan Barnes with Dave Newton Trio

“There’s too little clarinet in contemporary jazz”.  I wish I could attribute the quote to some insightful luminary, but in truth it is just what I think.  Although one or two current players double on clarinet, not too many play it as their main instrument. Ken Peplowski’s appearance, as the primary soloist in the last set of the Scarborough Jazz Festival is therefore a delight. Peplowski’s style is deeply rooted in the swing era, and in the style of a previous employer, Benny Goodman. It is great to hear him in a small group context, and supported by a great trio and a partnership with Alan Barnes.

About the only thing that blew the musicians off some swinging performance was the sudden burst of the mist machine that ensures the lighting effects work properly. This was Barnes final musical appearance of the festival, and his introductions have been the sardonic thread that ran through the whole event.  Here he met his musical and verbal equal. Peplowski not only a serene soloist, but has a sharp line in putdowns and witty asides.  The mist machine became the centre of their comic performance.

Just as quickly we were back to some romantic, late-night music played with elegance and sensitivity by the whole band.  The audience were in hushed appreciation, except for the moments when they expressed their admiration with warm applause.  This was a more than fitting end to a stimulating and thoroughly enjoyable weekend of jazz.  We’ll be back for more next year.

Tim Wall

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Explore the festival
About 'Just Like Jazz'

'Just Like Jazz' is a collaborative project between Interactive Cultures, a research unit at Birmingham City University, and the Scarborough Jazz Festival. We're media academics who happen to be jazz fans and we're working with the Scarborough Jazz Festival to explore the ways in which jazz festivals can be portrayed online.

Rather than creating a brochure website around the festival, or simply filming the festival and putting that online, our goal is to capture the spirit of the festival using a range of techniques such as photography, text and handheld, personal digital video. We have given small, cheap, portable video cameras to select audience members, musicians, backstage staff and the festival organisers and asked them to capture whatever they think is interesting: the buzz of the audience, the surrounding environment, snippets of the music performed, and any discussions that take place around jazz.

The Just Like Jazz team
Left to right: Prof Tim Wall, Andrew Dubber, Dr Simon Barber, Jez Collins.

We're gathering together all of this video, photography and text from our contributors and publishing it live on this website as the festival happens. We're also tagging the content in order to experiment with the ways in which the characters and stories that are captured can be navigated by you, the visitor. This process gives audiences the opportunity to experience the festival in their own way and makes the event accessible to those who may wish to attend the festival in future years, or who may never have considered visiting a jazz festival at all.

Although we've worked on projects like this before, with Aftershock in Italy and with the Copenhagen Jazz Festival, we don't have a fixed idea of what we're going to end up with. We're working with a loose structure and quite a lot of improvisation - in a way, it's just like jazz.

Do come and say hello if you see us around. We hope you enjoy exploring the festival online with us,

Tim, Andrew, Simon and Jez.
http://interactivecultures.org

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