Steve Grossman

Here are some photographs taken backstage of Steve Grossman. 

             
Click here to download:
Steve_Grossman.zip (11331 KB)

Other posts about Damon Brown Quintet   Jez Collins   Photos   Steve Grossman  

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Steve Grossman trading eights

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Other posts about Damon Brown Quintet   Performance   Steve Grossman  

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Steve Grossman / Damon Brown Quintet

Bring together some top-flight, European-based, musicians, select some good numbers for exploratory playing, and then give each player plenty of solo space; that’s pretty much a recipe for a thoroughly enjoyable club set for dedicated jazz listeners.  And that’s what you got here.  What’s great about the Scarborough Jazz Festival is that the audience is relatively large, but the atmosphere is still intimate.  In these circumstances a band like this plays in such a supportive atmosphere that they almost have to succeed.

Steve Grossman and Damon Brown make a great pairing.  There’s a good contrast of emotional energy, but a great degree of equality in the intelligence of the playing.  Each can take extended solos and keep a musicality about the journey.  Most enjoyable, though, is the frequent interplay.  They listen to each other just as much as they challenge.  The numbers were particularly well chosen, and even the recent compositions by Brown and others fitted well into a programme of post-bop.

Leon Greening plays beautifully supportive piano, prominent enough to bolster the soloist without getting in the way.  His own solos extend this role, rather than dramatically switch to a new mode.  They are impressively technical, the sound forcing me to focus with intent concentration on his playing, but not in any way flashy.  The strong applause at the end of most of his solos, and when he was named-checked in the band member introductions, suggest to me that most people in the room agreed.

Tim Wall

Other posts about Damon Brown Quintet   Review   Steve Grossman   Tim Wall  

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Explore the festival
About 'Just Like Jazz'

'Just Like Jazz' is a collaborative project between Interactive Cultures, a research unit at Birmingham City University, and the Scarborough Jazz Festival. We're media academics who happen to be jazz fans and we're working with the Scarborough Jazz Festival to explore the ways in which jazz festivals can be portrayed online.

Rather than creating a brochure website around the festival, or simply filming the festival and putting that online, our goal is to capture the spirit of the festival using a range of techniques such as photography, text and handheld, personal digital video. We have given small, cheap, portable video cameras to select audience members, musicians, backstage staff and the festival organisers and asked them to capture whatever they think is interesting: the buzz of the audience, the surrounding environment, snippets of the music performed, and any discussions that take place around jazz.

The Just Like Jazz team
Left to right: Prof Tim Wall, Andrew Dubber, Dr Simon Barber, Jez Collins.

We're gathering together all of this video, photography and text from our contributors and publishing it live on this website as the festival happens. We're also tagging the content in order to experiment with the ways in which the characters and stories that are captured can be navigated by you, the visitor. This process gives audiences the opportunity to experience the festival in their own way and makes the event accessible to those who may wish to attend the festival in future years, or who may never have considered visiting a jazz festival at all.

Although we've worked on projects like this before, with Aftershock in Italy and with the Copenhagen Jazz Festival, we don't have a fixed idea of what we're going to end up with. We're working with a loose structure and quite a lot of improvisation - in a way, it's just like jazz.

Do come and say hello if you see us around. We hope you enjoy exploring the festival online with us,

Tim, Andrew, Simon and Jez.
http://interactivecultures.org

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